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Posts Tagged ‘Innocence’

Adventures in Bookland: Innocence by Dean Koontz

Tuesday, July 9th, 2019

This story sticks in the mind in a way that few others do. In fact, it stuck in mine so much that I did something I rarely do: I reread it. Yes, there are technical issues with it, in that it muddles genres, switches pace abruptly, and doesn’t really foreshadow a major part of the climax so that that climax comes almost completely out of left field. But maybe in part because Koontz messes with reader expectations, these work fairly well. However, what really sticks in the mind is the book’s central premise: there is something about the hero, Addison Goodheart, that causes people, on first seeing him, to try to kill him. At birth, the midwife tried to kill him. His mother, after eight years bringing him up in solitude, sends him away and kills herself. It’s the answer to this conundrum around which the whole story revolves and that is what keeps it lingering in the memory long after other stories have vanished.

Book review: Innocence by Dean Koontz

Wednesday, January 22nd, 2014

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** spoiler alert ** The engine driving this story, and the key to one’s enjoyment of it, is the mystery of the protagonist. Addison Goodheart lives in isolation in the tunnels under New York, and has done so for 18 years, only venturing out in the quietest times of night, or when the city’s normal inhabitants are driven indoors by particularly bad weather. He sequesters himself – as one of the Hidden, and we learn there are, or were, at least two others – because, on seeing him, people try to kill him. The midwife tried to smother him at birth, his own mother came near to killing him and, in the end, banished him from their home because she could bear the sight of him no longer, strangers seeing him, assault and try to murder him, but Addison remains innocent of wrongdoing. So, the question driving the book, and the reader, is why? One’s initial thought is some physical disfigurement, but it quickly becomes apparent that is not the case. I did wonder, as I’d reached near five sixths of the way through the book (which retains Koontz’s normal narrative flair although in retrospect there may have been some authorial handwaving to drive us past some plot points), whether Koontz would simply leave it open; I was beginning to suspect that he’d dug himself a hole from which there was no escape, other than ignoring the fact he was in a hol in the first place. But doing this would have been a complete authorial cop out.
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