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Archive for the ‘Writers’ Category

Photos from Prinknash Abbey

Wednesday, April 26th, 2017

I had a wonderful stay at Prinknash Abbey with the Benedictine monks there before giving a talk on the Northumbrian kings on Tuesday 25 April at the abbey shop. The community made me most welcome, but I must give particular thanks to Fr Mark and Fr Martin, and Brother Chris for their warmth (and for coming to my talk!). This short experience of the monastic life was enough to tell me that only the most extraordinary of people have the discipline and dedication to lead such a life. At the shop, Caroline Turley made sure everything ran as smoothly as the coffee they serve in the shop (and it turns out she has three sons too). And the people who came to the talk made for the most wonderfully attentive and inquisitive audience – thank you all.

Here are some selected photos from my stay (there’s many more – ask if you want the rest).

My room in the guest wing (no radio, no TV, no WiFi – just silence and the view).

And this was the view from my window.

Looking over the Vale of Gloucester

While this is what the abbey looks like.

Prinknash Abbey from the front

And this view is from the monastic enclosure which is not open to the public.

Looking up to the abbey from the monastic enclosure

The abbey in bright morning sun.

The morning sun casts the shadow of the bell tower on the wall behind

Some views of the monastery garden which is being renovated.

The wonderful display of my books that Caroline had created in the monastery shop.

And this is me with Caroline Turley, the woman who organised everything so well.

Some of the lovely people who came to hear me speak about the Northumbrian kings.

And me thanking Fr Mark Hargreaves for asking me along in the first place.

Me, Speaking

Thursday, April 13th, 2017

Yes, it’s me, speaking at Prinknash Abbey on Tuesday 25 April at 10.30am. I’m really looking forward to this as I’ll get to spend the previous day and night with the monks of the abbey before giving my talk on the Tuesday. If you’re anywhere nearby, do come along (and I’ll sign as many books as you want!).

 

Adventures in Bookland: Ghostmaker by Dan Abnett

Monday, January 16th, 2017

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This, the second book in the Gaunt’s Ghosts series, is where Dan Abnett thinks himself completely into the world of Warhammer 40k. It’s almost like a series of Impressionist paintings, or like flicking through the sketchbook of a master draftsman, as he approaches characters, places and situations within the context of the 40k universe, learning its language and creating its stories. As such, it doesn’t have the narrative coherence, the sheer I can’t-stop-turning-the-pages drive of something like the Eisenhorn books, or other Ghosts novels, but it’s richer, in particular for the way it shows an imagination as special as Abnett’s firing into overdrive.

Adventures in Bookland: Blood and Blade by Matthew Harffy

Sunday, January 1st, 2017

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In Blood and Blade, Matthew Harffy’s recreation of the violent and crucial decades of 7th-century Britain reaches a new depth and resonance. His hero, Beobrand, is a man whose soul has been as much branded by the events of the previous two books as his body has been battered by them – and how good it is to have an action hero not shake off wounds as lightly as a shower of rain. In this book, Beobrand has to travel the path his wyrd has placed him on, between competing kingdoms and the collision of religions. Harffy handles the many action scenes with his customary skill and realism – this is not a book for the faint hearted – but it is in the portrayal of the relationship between Beobrand and a lowly thrall that the author reveals a deepening appreciation of the human condition and how, even in the midst of the most violent of times, people will strive for love and human contact.

Adventures in Bookland: Xenos by Dan Abnett

Thursday, December 29th, 2016

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There are so many wonderful books out there, I seldom go back and reread a book I’ve read before. Why bother, when new worlds and new ideas are waiting to be explored? But, with Xenos, I’ve done just that: gone back and reread a book I first read six or seven years ago.

And it was great.

Xenos was the very first novel I read set in the Warhammer 40k universe. If you don’t know it, it’s a universe set up explicitly so that wargamers moving little plastic figures, often exquisitely painted, can play war games set in the far future. Given that the people playing the games are wargamers, you might surmise that the universe 38,000 years from now is not a particularly peaceful place. You’d be right. It is, however, a universe stuffed full of wonders. It turns out that all those goblins and elves and monsters that filled our fairy tales and folk stories were real – it’s just that we got the location wrong. They weren’t on earth, they were waiting for us out among the stars. In fact, that’s my only real criticism of the intricate universe that Games Workshop (the company behind Warhammer 40K) has created: with such a cast of creatures, there should be a bit of room for wonder in among the blasters and exploding alien heads.

But, no matter, for Dan Abnett manages to instil some of this wonder while remaining true to the dystopian roots of 40k and, at the same time, writing an amazingly involving adventure story. Indeed, so taken with the whole universe was I when I first read this that I immediately dived in, reading reams of the stuff, until I came to the same sort of realisation about Warhammer 40k books that I came to with fantasy and Tolkien. Back when I first read The Lord of the Rings it was actually the first fantasy novel I’d ever read. And I was completely blown away. So, I dived in, only to all but drown in Shannaras and Covenants and Belgeriads. I emerged, somewhat the worse for wear, to claim the hard-won knowledge that, with fantasy, I’d started at the summit and was busy working my way down. It turns out that, with Warhammer 40k and Dan Abnett, I’d done the same thing: I’d started at the top with Abnett and had been working my way downhill after him.

But, to return to the summit, it was a relief to reclimb the mountain to find the view from the top as exotic and brutal and breathtaking as the first time I’d found myself there. Thank you, Dan Abnett, and thank you, Gregor Eisenhorn. The Imperium is well served with both of you in its service!

 

 

Author Interview: Matthew Harffy

Thursday, November 3rd, 2016

This is the first author interview I’ve done on my blog and who better to begin with than fellow Darkling, Matthew Harffy (and it was Matthew who came up with ‘Darkling’ in the first place). Matthew’s novels are also set in 7th-century Northumbria. His hero, Beobrand,  fights for and against the historical figures of the time, the same kings who feature in my novels. But Beobrand is the early-medieval Sharpe and Matthew shares Bernard Cornwell’s ability to tell fast-paced, thrilling stories set in and around the events of the time.

Matthew Harffy

Matthew Harffy

We both write about 7th-century Northumbria. What decided you to write about this period?

I’ve always loved the area since living there as a child. We moved to Northumberland when I was about eight or nine years old and we lived in a small village on the River Tweed near Berwick-upon-Tweed. I remember the wide river, the rugged coastline and the amazing sight of the ruins of Dunstanburgh Castle perched on its clifftop overlooking the slate grey North Sea. I was born in Sussex and the coastline was so different. I was used to shallow shingle and sand beaches, where in the summer I could wade out until the water reached my neck. In Northumberland there was rough freezing water and so many seabirds: gulls, gannets, guillemots and puffins. And it was even common to see the bobbing heads of seals in the dark sea water. This was a windswept, wild land, teeming with nature and with the evidence of history all around in the form of ruins and old buildings. Castles, churches Hadrian’s Wall, everywhere there were signs of the past.

It was years later, in 2001 that I watched a documentary on television about the archaeology of Bamburgh Castle. I discovered that the castle had been the seat of great kings of the Northumbrian kingdom called Bernicia and that Northumbria had been the most powerful kingdom in Britain for centuries. Something sparked inside me that night and I could see in my mind’s eye a young man arriving on the beach beneath Bamburgh Castle, helping to pull the longship on to the sand. I was alone in the house, so I went upstairs to the desktop and started to write. I had no idea I would write a novel then, but over the coming months and years the story kept speaking to me and would not let me go.

You’ve had an incredibly varied career. Why did you decide to turn to writing?

I’ve always liked the creative process, which is why I was drawn to singing, drawing and painting, and writing. I’ve always written bits and pieces here and there, often starting stories but never finishing them. I always thought the writing was easy, it was the ideas and the plot that were incredibly difficult. And I still feel that way now, after having written four books. Once I know where the story is going, putting the words on paper is not that difficult. Coming up with the plot is.

After seeing the documentary and starting to write, I don’t think I had a real choice but to complete the novel. I suppose I had always hoped I would be successful, but to be perfectly honest I never really expected to sell any books or even to complete the story. I think the things that link all the creative processes for me is that I like to entertain, whether it is singing in a rock band, or telling jokes to friends in the pub, or writing a series of historical fiction, the aim has always been to entertain.

Speaking of your varied career, which of your previous jobs was your favourite and why?

Without a doubt I would love to be a singer. I love the immediacy of performance, and the joy of letting the music take control. Performing music to an audience provides instant entertainment. It is in many ways the antithesis of writing. In the same way as with writing, you need to prepare in advance with lots of rehearsals, but when you perform after a three-minute song you hear the applause and you know you’ve done a good job. When writing, you spend a year on your own slogging away, to then hand over the book to other people to wait for another few weeks for them to read it and to let you know whether it was a good job or not. It is quite the opposite of immediate, and anyone who knows me is, I think, surprised that I can put up with the stress of waiting for things to happen.

What was your reaction when you learned there was another bloke also writing about the kings of Northumbria?

I had just got an agent for The Serpent Sword, which seemed like the biggest milestone in a writer’s career, at least that is what all the blogs and articles would have you believe. My agent, Robin Wade, was at The London Book Fair presenting my book and trying to sell it so, for the first time ever, I took an interest in the London Book Fair, checking its website each day and looking for updates on Twitter. So it was with dismay that I saw one Edoardo Albert’s Northumbrian Thrones series announced at the same London Book Fair, with a great big poster giving the title of the first in the trilogy, Edwin.

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To start with I was horrified. I knew there were other people writing in the same period as me, On Twitter, I had been following Nicola Griffith, who wrote the wonderful Hild. But her book seemed to be focusing on other aspects of the time. However, The Serpent Sword started with the main character, Beobrand, meeting King Edwin. And from the title of your series I knew instantly that the trilogy would be about Edwin, then Oswald, then Oswiu, all of whom were set to appear in my own novels. I said a few choice words at your expense, for a while believing, quite stupidly, that you having found a publisher would limit my chances.

After some reflection, I decided that actually the reverse was true. If you could find a publisher, then there must be an appetite in the market for books set in this period. Judging from the Nicola Griffith’s success with Hild, and the fact that you and I are still selling books, I think I was right.

Your writing career path has been the opposite of mine. You first pitched for and found an agent, then independently published the first two volumes of your Bernicia Chronicles, before deciding to go with a mainstream publisher, Aria Fiction, which is now busy republishing your books. Can you tell us why you did things this way round, why you went the indie route and why you have now switched to a mainstream publisher?

I went the route of finding an agent because everything I had read, and I had read a lot about it, led me to believe that you needed an agent to be traditionally published. I know now that is not strictly true, as you yourself have proven. However, it is still the easiest, and most tried and tested route into the big mainstream publishers. Naively I thought that once I got an agent the rest would be easy. I would get a six-figure advance, the book would be published to great acclaim, I would become an instant success, then I would retire to an island of my choice in the Caribbean. In reality, things didn’t work out quite that way! My agent asked me to write the sequel, The Cross and the Curse, while he went about selling The Serpent Sword. So for several months I was busy writing, but every few weeks another rejection letter would arrive until all of the publishers Robin had approached had said no.

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I was then left in a difficult position. I had two books finished but no publisher. My agent continued trying to sell the series, but I made a decision not to just sit waiting any longer. In my day job I work in a team of technical writers, so I have the skills and knowledge to be able to produce a quality product in terms of the formatting, cover design, and so on. This allowed me to do all the work myself to release the book in both electronic book form and as a Print On Demand paperback. I did this for The Serpent Sword back in April 2015, and it sold better than I had expected. More rejections came in for The Cross and the Curse so my path seemed set, I would continue to self-publish.

I released The Cross and the Curse in January 2016 and shortly after Robin finally got a bite from a new publisher, Aria, an imprint of the successful independent publisher Head of Zeus. The decision to go with Aria was not easy, I was doing well as a self-published writer and things only seemed to be getting better. I was not sure what Aria could offer me that I couldn’t provide myself. However, after a lot of soul searching and discussion with Robin, and anyone else who would give me time to waffle on about the pros and cons of different publishing deals, I decided that if I didn’t take this opportunity, I would always ask myself what could have been. The main reason I chose to go with Aria in the end was that I thought they would be able to reach a wider audience than I would be able to do alone. It’s only been a few months since the re-publication of the first two books, but I can now say I think I made the right decision. Sales have been excellent and having a team of talented professionals working to not only promote my work, but also to polish what I’ve already done, has been, and is still proving to be, a wonderful and rewarding experience.

Do you think you will stay in mainstream publishing?

Who knows what the future will bring? I’m actually going through the process of thinking about this right now. I have completed my first contract with Aria and I need to decide with them and my agent what the future has in store. I definitely would not shy away from self-publishing again in future. The level of control, the agility, the ability to react quickly to any issue, and of course, a larger proportion of royalties per book sold, are all great incentives. However, as I said before, it’s great to not have to take on all the marketing, and all the publicity, and all of the editing, alone. I think it is very possible that I will continue with a mainstream publisher, but I can see the possibility of publishing some works myself in the future too, making me what is termed a hybrid author.

How important has your agent been for you (speaking as a writer who has publishers but no agent for fiction, I’m particularly interested in knowing the answer to this).

I think each agent works differently and you need to find the agent that suits how you wish to work. Robin is quite hands-off, we talk regularly but he doesn’t give me detailed notes on each chapter as I write, which I believe some agents do. Perhaps if I asked him to, he would, but I don’t think either of us feel the need to be attached at the hip in that way. One of the best things about having an agent is knowing that somebody in the industry believes in you. It is so easy, especially when faced with rejection upon rejection, to think that your work is terrible and that it is not worth pursuing. Having somebody who has read hundreds of thousands of manuscripts and has best-selling authors on their list recognise the quality of your work does wonders for your morale. Also of course Robin has worked tirelessly to try to find a publisher. He is able to speak to editors in big publishing houses directly in a way that I would never be able to. Without an agent I would not have the publishing deal with Aria that I have. Lastly, Robin knows the industry and can answer questions that I have, clarifying contractual issues, and generally providing me with a knowledgeable ally as I navigate through the often-confusing publishing industry.

I and, I’m sure, many other writers look with awe at the number of reviews you have received on Amazon. How on earth have you managed this?

Well the obvious quip is that I have sold lots of books!

But really there is no trick here. All I do is ask people to leave a review when they have read the book. I put this request in the acknowledgements of every book, and if anybody contacts me on social media to say they have enjoyed a book, or if they sent me an e-mail commenting on one of my books, I always respond with a request for them to leave a short review on Amazon or Goodreads, or their online retailer of choice. It really is as simple as that! Oh, and selling shed loads of books helps too, of course!

Of the three books you have written so far, do you have a favourite?

Well that is a pretty impossible question to answer!

I have actually now written four novels in the Bernicia Chronicles and a novella too. Blood and Blade is out in December 2016, Kin of Cain, the novella, is out in April 2017, and Killer of Kings, book four in the series, is out in June 2017.

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People who have read all of the books say that my writing has improved with each one. I myself never feel that way, instead I often feel that each book is worse than the one before! Hopefully they are right and I am wrong! I like each book for different reasons, but I think I would have to say The Cross and the Curse is my favourite so far. I’d love to hear from readers what they think once they’ve read them all!

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Do you intend to keep writing about Beobrand or will you branch into other areas and times?

There are definitely more stories of Beobrand to tell. I am not sure how many Bernicia Chronicles there will be, but I have story ideas already for another four or five at least. Having said that I would love to tell tales based in other time periods. I have written the opening paragraphs of a Western, a genre I have always loved but which I am told is not marketable. And I already have the outline for a plot set a couple of hundred years later after Beobrand’s story.

Time will tell which stories get told and in what order.

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Now, some quickfire questions.

This is tough and in a few instances, I’m sure I would give a different answer on a different day. I took this in the spirit of quick-fire and wrote the first answer that came to mind.

Favourite word

Persiflage [I had to look this up. It means ‘Light and slightly contemptuous mockery or banter’.]

Favourite author

David Gemmell

Favourite book

Lonesome Dove by Larry McMurtry

Favourite film

Blade Runner

Favourite song

Somebody to Love by Queen

Writing – silence or music?

Either, but music with no words.

Favourite place

Dunstanburgh Castle

Favourite historical figure

Sir Richard Francis Burton – my all-time hero. I’d love to write about him one day!

Favourite food

A great cheeseburger

Favourite drink

A good real ale

Thank you, Matthew. It was a great pleasure to interview Matthew and to get to know a little more about him. I’ve read The Serpent Sword and Blood and Blade and highly recommend them (and I’m going to read The Cross and the Curse as soon as I’ve finished a couple of books I’ve promised to review). Many of the characters who appear in my books, such as Edwin, Oswald and Oswiu, also feature in Matthew’s books; it’s fascinating to read his take on these historical figures.

To find out more about him, visit him at his website or blog, or connect with him online. Details below.

Matthew Harffy is the author of the Bernicia Chronicles, a series of novels set in seventh century Britain. The first of the series, The Serpent Sword, was published by Aria/Head of Zeus on 1st June 2016. The sequel, The Cross and The Curse was released on 1st August 2016. Book three, Blood and Blade, is due for publication in December 2016.

The Serpent Sword and The Cross and the Curse are available on AmazonKoboGoogle Play, and all good online bookstores.

Blood and Blade, Killer of Kings and Kin of Cain are all available for pre-order on Amazon and all good online bookstores.

Website: www.matthewharffy.com

Twitter: @MatthewHarffy

Facebook: MatthewHarffyAuthor

Oswiu: What Writers Think – no.6 in a short series

Wednesday, November 2nd, 2016
Jill Dalladay

Jill Dalladay

Jill Dalladay, classicist, historian and Latinist, wrote The Abbess of Whitby, an account of the life of Hild, the seventh-century Anglian noblewoman who oversaw the joint monastery at Whitby during some of the most crucial years of the Church in England. It’s a wonderful book, highlighting an aspect of the history of Northumbria that I simply didn’t have the space or time to do more than touch upon in Oswiu: King of Kings.

But, working in the same era as I do and with such impressive credentials to her name, I was eager, although a little nervous, to know what Jill thought of Oswiu. I’m delighted to say that she liked it. Here’s what she had to say:

‘It seems to me we live in times when all is changing, and what our fathers took as solid and secure, we can no longer trust,’ says the hero of Oswiu, King of Kings, teased by the ambiguity and interplay between the old one-eyed Raven-God, Woden, and the new Christ. Full of incident and adventure, this third book in Edoardo Albert’s masterly Northumbrian trilogy highlights the edgy family dynamics of rival dynasties in the turbulent seventh century world of gold and glory. Albert’s writing sweeps us along through nervous raiding parties, sweaty rides over parched hills peopled by wraiths, the muscle-straining tension of the warriors’ shield-wall, and the comfort of the smoky mead hall with fire sprites dancing in the logs. A satisfying climax to this mammoth enterprise.

Oswiu: What Writers Think – no.5 in a short series

Monday, October 24th, 2016
Matthew Harffy

Matthew Harffy

See this fellow? If you think he looks like he wouldn’t be out of place in the 7th century, you’d be right. Back when I was finishing off Edwin: High King of Britain and congratulating myself in having this extraordinary period in British history all to myself, I discovered that there was another writer working on a book set during the reign of King Edwin. After employing a few old English words, I set to stalking him online and discovered to my horror that, yes, he really was writing in my period and that, even worse, he was really good.

When Matthew found out about me – you can read how this happened in his interview with me here – there was much tentative circling, rather like two wary warriors, not quite sure of the other’s intention. But we soon realised that we would do better standing shoulder to shoulder than facing each other, a realisation bolstered by the fact that we could each admire the other’s work wholeheartedly while realising, with some relief, that we were doing quite different things with our takes on the 7th century.

Since Matthew writes about the same period I do, he clearly knows it backward. So I was delighted when he said he’d read an advance copy of Oswiu: King of Kings. I was even more pleased with what he said about it:

“In Oswiu: King of Kings, Edoardo Albert brings to vivid life the battle for the land and souls of the British people in the seventh century.  Albert tells an epic tale of kings and queens, omens and shieldwalls, where the future of a people was decided as much through the guile of its priests as the strength of its warlords. He deftly weaves the threads of a memorable cast of characters into the weft and warp of a vibrant tapestry of war, mystery and intrigue. Yet the true strength of Oswiu: King of Kings, is in the depiction of the effects of conflict on the men and women of the Dark Ages. As Albert reminds us there is much more to conquest than the ringing clash of swords.”

And if you don’t rush out and buy Oswiu now, I’ll get Matthew to send his hero, Beobrand round to have a word with you – and you really don’t want to get Beobrand annoyed!

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Oswiu: What Writers Think – no.4 in a short series

Sunday, October 16th, 2016
Andrew Norriss

Andrew Norriss

Some unusual acquaintances are made online. In my case, few have been more unexpected but more welcome than my getting to know Andrew and Jane Norriss online. The name might not immediately mean anything but anyone watching TV in the 1990s will know Andrew from The Brittas Empire. Andrew wrote the first five series.

brittasempire001bBut then, with one of the more unexpected career swerves, he decided to throw in TV writing in exchange for the considerably less lucrative vocation of writing books for children. Mind, he still couldn’t completely escape the octopus clasp of television, for the producers took one read of his book Aquila and immediately saw what anyone reading it must see: that this is one of the most perfectly crafted stories ever written. And they promptly slapped it on television.

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I must admit that the Aquila TV series was really rather wonderful. But, of course, past performance is not an indicator of future returns and, given the unlikely collision of talents that go into making a good TV programme, it’s unlikely that the lightning of success would strike again. Besides, working with TV people is like supping with the devil: something best done with a very long spoon.

So, thankfully, Andrew’s been able to escape the dead grasp of television, and he’s been busy writing further books for children – most of which I’ve read and reviewed, here (The Unluckiest Boy in the World) and here (The Portal)  and here (The Touchstone). His latest, Jessica’s Ghost, I fear lays him open to the further blandishments of TV land so get in there and read it before some producer ruins it.

Given my untrammeled enthusiasm and admiration for Andrew’s work, imagine how pleased I was to find out that he liked my work too. He’s actually read Edwin: High King of Britain and Oswald: Return of the King. This time, though, putting my marketing cap on, I thought I’d get him to read a pre-publication copy of Oswiu: King of Kings in the hope that his recommendation might open up the 8-12 junior reader market to me. Well, not really. Oswiu is not really suitable for 8 year olds (although I don’t think there’s anything in it that would be unsuitable for a 12 year old moving on to trying adult books for the first time). But, really,  I just wanted Andrew to read it. And he did, and here’s what he had to say about it.

Edoardo Albert conjures up an extraordinarily vivid and authentic picture of life in 7th Century Britain that is hugely enjoyable. This is fabulous story-telling, with the themes of greed, ambition, nobility and the power of religion woven together with consummate skill. This is the real Game of Thrones – a fabulous story, beautifully told, that turns out to be based on fact!

You can imagine just how pleased I am with this. Andrew is probably the most talented writer I know and to have such an endorsement is praise indeed. You hear that low pitched hum in the background? That’s the sound of a writer, purring.

Oswiu: What Writers Think – no.3 in a short series

Monday, October 3rd, 2016
James Aicheson

James Aitcheson

James Aitcheson does, supremely well, what I hope to do in my own books: employ a profound knowledge of the history of the time he is writing about to make the actions of the men and women of the time understandable to modern readers. His Sworn Sword trilogy looks at the aftermath of 1066, and how William really conquered England, while his latest book, The Harrowing, represents a huge departure from the somewhat hackneyed norms of historical fiction writing, giving a determinedly downbeat and realistic portrayal of the impact of the Conquest on ordinary people.  He’s also an excellent speaker – my boys were rapt when he spoke at the Battle of Hastings re-enactment last year and James will be there again this year. If you’re going, make sure you look out for him.

This is James with the boys:

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And with me:

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So I was delighted when James agreed to read Oswiu: King of Kings before publication – and even more pleased by what he thought of it. Here’s what he said:

In Oswiu, the concluding instalment in his Northumbrian Thrones trilogy, Edoardo Albert takes readers back to seventh-century England: a shadowy and turbulent era when Britons and Anglo-Saxons, heathens and Christians, contested for political and spiritual supremacy.

Albert writes with great passion; his love for this period of history shines through at every stage. His research is worn lightly, and yet his depiction of early medieval life has a strong ring of truth. In particular the post-Roman landscape of northern England, littered with roads, walls and other crumbling relics of the imperial past, is vividly described: a constant reminder that power is transitory and that even the mightiest empires must fall.

As regards the eponymous Oswiu, king of Bernicia, Albert paints a credible picture of a man struggling with the many burdens of rulership: weighed down by expectations of what a good king should be; plagued by threats to his power both at home and abroad; and overshadowed (as he has often been in history) by his celebrated elder brother and predecessor, Oswald.

Dynastic rivalries, shifting allegiances and pagan mysticism combine in this atmospheric novel, evoking a volatile world in which life is uncertain, authority and respect are hard-won, honour is all-important, and divine forces hold sway.

There. I couldn’t have asked for better. Thank you, James and remember, if you’re going to see the 950th anniversary re-enactment of the Battle of Hastings on 15 and 16 October, look for James in the book tent.